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Commissioned by King’s Chapel, Boston, Massachusetts, in celebration of its 325th anniversary, this longer a cappella work uses a text assembled and adapted from various Biblical passages.

From the composer's introduction:

The anthem begins grandly with words from Psalm 89 celebrating God’s all-encompassing faithfulness and love. An alleluia refrain follows and returns several times throughout the work. However, it is not a majestic, Handelian alleluia, but rather one of inward passion and fervent introspection. The next section begins joyously with the familiar prophesy from Zechariah; it is followed by several brief Gospel scenes from the life of Jesus. After another alleluia, words of blessing from Psalm 103 are set vigorously before the work closes with a final alleluia.

A recording of this work, performed by the Cambridge Consonance, is included on The Welcome News, a collection of choral music of Carson Cooman, released by Gothic Records.

Written for a wedding processional, this work for organ and optional trumpet works well for many festive occasions. The trumpet part (duplication permitted) is included with the organ score.

Setting a text by Hildegard von Bingen, this work explores the divine mystery of God's knowledge of every creature before they were called into being, and of God's creation of humankind.

A recording of this work, performed by the Cambridge Consonance, is included on The Welcome News, a collection of choral music of Carson Cooman, released by Gothic Records.

This setting of "Come, Christians, Join to Sing" is a jubilant postlude to culminate a service of celebration.

This powerful, yet simple setting of Psalm 27:4 expounds on our most important need: to dwell in God's house forever.

A recording of this work, performed by the Cambridge Consonance, is included on The Welcome News, a collection of choral music of Carson Cooman, released by Gothic Records.

This work vividly presents the words of Psalm 23 using instrumental accompaniment, SATB choir, and a tenor or soprano soloist. To enable performance by choirs with varying levels of resources, three accompaniment editions are available.

Based on the adaptation of Psalm 84 found in the 1912 Psalter, this anthem for two-part mixed voices and organ is approachable for any choir.

This meditative and flowing adaptation of Psalm 25:6-7 asks God to remember his mercy in the face of our sin. Written for SATB choir with a quiet organ accompaniment, this work is suitable for choirs that are able to handle some slight dissonance.

This anthem portrays the desolation Christ endured in the final moments before the cross, then moves to the hope that his death and resurrection brings to all people. It is approachable for most choirs.

This setting of the much-loved traditional text works well as a song of sending or concert encore. The work is best suited for larger choirs able to perform the wide dynamic range and long legato lines.