Browse Catalog: Organ music

Especially useful as a prelude, this six-movement work covers a range of musical styles. The movements are: Theme, Bicinium, Trio, A la Marcia, Aria, and Finale.

This arrangement, for brass quartet and organ, works well as the prelude or postlude for a fall worship service. The work is arranged in three parts: verses one and three are written for brass quartet and optional organ (doubling the brass), and the second verse is written for a single trumpet with organ accompaniment.

This energetic arrangement works well as a postlude during the Christmas season. As the title says, it is short, clocking in at under a minute without repeats. It is, however, meant to be repeated ad lib, giving the organist the flexibility to stretch it to any desired length.

Using complex meters and syncopated rhythms, this piece takes a refreshingly playful approach to the tune most recognized as "Come Thou Fount of Every Blessing." The work is comprised of three movements: the lively scherzo, a quieter trio, and then a repeat of the scherzo with an added coda.

This work is based on a passage from The Spiritual Canticle by Saint John-of-the-Cross. It works well as part of a prelude, musical meditation, or in performance.

Written as a reflection on the text "For God alone my soul in silence waits (Psalm 62:1)," this work by Raymond Haan is a meditation on our reliance in God for our salvation. Starting quietly, the piece builds to a climax in the middle, then retreats to end more softly than the beginning.

The piece is approximately five minutes long; suggested uses include as a prelude or as an instrumental meditation during a worship service.

This simple, reflective setting of GROSSER GOTT (“Holy God, We Praise Thy Name”) works well as an offertory or short prelude. As a meditation it takes a reflective approach to a tune normally treated in an overtly triumphant manner.

This arrangement of "Jesus Loves Me" presents the familiar children's hymn in an easily approachable manner. Peaceful and fairly short, it works well during a children's time in a worship service - or to remind adults of the child-like humility required of every believer.

This quiet, prayerful improvisation on the tune commonly associated with “Let All Mortal Flesh Keep Silence” is well-suited for a meditative moment in a service, such as the prelude to a lessons and carols service.

This piece, just over a minute in length, works well as an offertory or interlude. The composer first improvised this work as an offertory, later deciding to transcribe it. Containing some unique chord progressions, it has unconventional style but maintains a smooth feel overall.