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Using Hebrews 12 as the refrain, this song reminds us of the cloud of witnesses that have gone before us. Containing an abundance of the vibrant imagery that Ken Medema is renowned for, this work is well-suited for services celebrating the life of the church.

The work is written for three choirs: SATB adult, SATB youth, and unison children, as well as a child soprano and youth tenor duet at the beginning. Adults can sing the youth parts if fielding an SATB youth choir would be infeasible.

Recalling stories of providence spanning much of the Old Testament, the text by John Newton, set to new music, reminds us to trust in God rather than relying solely on ourselves. The work is accessible to most choirs.

This arrangement of "Jesus Loves Me" presents the familiar children's hymn in an easily approachable manner. Peaceful and fairly short, it works well during a children's time in a worship service - or to remind adults of the child-like humility required of every believer.

This arrangement of the traditional English New Year's carol is a lively reminder of God's providence from one year to the next. The piece is best suited for a choir that is large enough to produce a good fortissimo while also being nimble with the 2/2 meter and syncopation.

Especially useful as a prelude, this six-movement work covers a range of musical styles. The movements are: Theme, Bicinium, Trio, A la Marcia, Aria, and Finale.

This accessible arrangement of this familiar hymn provides comfort in times of trial and mourning.

Also available is a TTBB version of the same hymn. While the two works are similar, they are not simply transpositions of the same arrangement.

Painting the joyous text Tomorrow Shall Be My Dancing Day, this arrangement combines a number of traditional carol tunes into a playful and unpredictable gigue.

This festive setting of Isaiah 30:29 paints the text using a variety of colors, rhythms, and dynamics. It is best suited for larger choirs.

This piece was originally written by Samuel Sebastian Wesley for SATTB choir. Jerry Black has written an SSATB arrangement much more applicable to the majority of today's choirs. More than just a transposition, this arrangement ensures that each voice part is within a comfortable range while preserving proper voice-leading.

This arrangement of this comforting hymn is accessible to male choruses of every level of proficiency.

Also available is an SATB version of the same hymn. While the two works are similar, they are not simply transpositions of the same arrangement.