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This festive setting of Psalm 150 proclaims the power of the Lord, imploring all to praise him. The work is especially well-suited for larger choirs that are able to provide the volume the text demands. The text is the traditional Latin; we recommend printing the provided English translation in the program or order of worship.

Recalling stories of providence spanning much of the Old Testament, the text by John Newton, set to new music, reminds us to trust in God rather than relying solely on ourselves. The work is accessible to most choirs.

This anthem for SATB choir and organ is a setting of the familiar text of Psalm 119. Reflecting on God's word as our chief guidepost in life, this work is well-suited to be used as a song for illumination during a worship service. The accessible writing is well within reach of any choir.

A flowing, free-form adaptation of the tune SURSUM CORDA, this work is especially useful as a backdrop for Communion. The work is written as a musical painting of the hymn text "You Are Before Me Lord" by Ian Pitt-Watson; the text is included in the music for illustration.

This two-part setting of the traditional text with a new melody is suited to a wide range of treble ensembles, especially children's choirs; it can also be performed as a duet.

This piece was originally written by Samuel Sebastian Wesley for SATTB choir. Jerry Black has written an SSATB arrangement much more applicable to the majority of today's choirs. More than just a transposition, this arrangement ensures that each voice part is within a comfortable range while preserving proper voice-leading.

This quiet, prayerful improvisation on the tune commonly associated with “Let All Mortal Flesh Keep Silence” is well-suited for a meditative moment in a service, such as the prelude to a lessons and carols service.

This festive setting of Isaiah 30:29 paints the text using a variety of colors, rhythms, and dynamics. It is best suited for larger choirs.

This work offers a new twist on the traditional Advent tune. The repeating eighth-note chords in the left hand provide the backdrop under the legato melody. At around two and a half minutes in length, this quiet piece works well as a short prelude. This work was performed, by the composer, on American Public Media's Pipedreams.

This lively prelude works well to set a celebratory mood for a worship service or recital. Its syncopations and dissonances provide plenty of energy, while a recurring motif ties the piece together. This work has been performed, by the composer, on American Public Media's Pipedreams.