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This organ-piano duet of a well-known Christmas carol creates the feeling of rocking a child to sleep. The carol is known in a variety of languages: "Sleep, My Child", "Slaap, mijn Kindjelief" (Dutch), "Dors Ma Colombe" (French), and "Schlaf, mein Kindelein"(German).

This arrangement of the traditional English New Year's carol is a lively reminder of God's providence from one year to the next. The piece is best suited for a choir that is large enough to produce a good fortissimo while also being nimble with the 2/2 meter and syncopation.

Incorporating three treasured Christmas carols (Oh Come, All Ye Faithful; Away in a Manger; The First Noel), this anthem for children's choir and congregation paints a vivid picture for people of all ages. The children's choir repeats the call, “All the way to Bethlehem. Come and see the infant Holy...” to which the congregation responds with the singing of carols.

This jubilant Christmas anthem, for SATB choir, organ, and trumpet, celebrates the birth of Christ. The piece involves the whole congregation, which joins the choir in the last verse. With its straightforward harmonies, this anthem is approachable for any choir.

This jubilant song provides vivid imagery of the everlasting Heavenly celebration promised in Scripture, as well as how it is possible – through the sacrifice made by Jesus on the cross.

The work was originally scored for SATB, organ, and handbells (piano could substitute for either). An SATB and piano score is also available. The choral parts are identical between the two versions, including the placement of line and page breaks.

Proclaiming God's goodness and mercy, this arrangement is suitable for any level of SATB choir.

This two-part setting of the traditional text with a new melody is suited to a wide range of treble ensembles, especially children's choirs; it can also be performed as a duet.

Using words from Joshua and the Psalms, this song can be used to help provide comfort in times of sorrow or uncertainty. Moderately difficult, it is accessible to most choirs.

Incorporating new music along with the familiar tune, this setting invigorates the well-loved hymn. Written for an octet, this eight-part work is well-suited for both small and large ensembles of advanced singers.

This work offers a new twist on the traditional Advent tune. The repeating eighth-note chords in the left hand provide the backdrop under the legato melody. At around two and a half minutes in length, this quiet piece works well as a short prelude. This work was performed, by the composer, on American Public Media's Pipedreams.