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This organ-piano duet of a well-known Christmas carol creates the feeling of rocking a child to sleep. The carol is known in a variety of languages: "Sleep, My Child", "Slaap, mijn Kindjelief" (Dutch), "Dors Ma Colombe" (French), and "Schlaf, mein Kindelein"(German).

Incorporating three treasured Christmas carols (Oh Come, All Ye Faithful; Away in a Manger; The First Noel), this anthem for children's choir and congregation paints a vivid picture for people of all ages. The children's choir repeats the call, “All the way to Bethlehem. Come and see the infant Holy...” to which the congregation responds by singing carols.

This jubilant Christmas anthem, for SATB choir, organ, and trumpet, celebrates the birth of Christ. The piece involves the whole congregation, which joins the choir in the last verse. With its straightforward harmonies, this anthem is approachable for any choir.

This jubilant song provides vivid imagery of the everlasting Heavenly celebration promised in Scripture, as well as how it is possible – through the sacrifice made by Jesus on the cross.

The work was originally scored for SATB, organ, and handbells (piano could substitute for either). An SATB and piano score is also available. The choral parts are identical between the two versions, including the placement of line and page breaks.

This work offers a new twist on the traditional Advent tune. The repeating eighth-note chords in the left hand provide the backdrop under the legato melody. At around two and a half minutes in length, this quiet piece works well as a short prelude. This work was performed, by the composer, on American Public Media's Pipedreams.

A flowing, free-form adaptation of the tune SURSUM CORDA, this work is especially useful as a backdrop for Communion. The work is written as a musical painting of the hymn text "You Are Before Me Lord" by Ian Pitt-Watson; the text is included in the music for illustration.

This two-part work for SATB choir and organ celebrates the Lord's greatness and mercy. The text of the first movement is based on the Magnificat, or Song of Mary (Luke 1:46-55), while the second text is from the Nunc dimittis, commonly known as the Song of Simeon (Luke 2:29-32).

The difficulty level of this piece may be more appropriate for experienced choirs. The total work is around seven minutes in length. Either movement may be used independently.

ST. KEVIN, usually paired with the Easter text Come, Ye Faithful, Raise the Strain, is a tune of jubilant celebration. Raymond Haan's adaptation for organ and optional trumpets works well as a postlude during the Easter season. It is around two minutes in length.

This work also works well as an introduction and interludes to the hymn (sung in G); use the first seventeen measures as the introduction.

This lively prelude works well to set a celebratory mood for a worship service or recital. Its syncopations and dissonances provide plenty of energy, while a recurring motif ties the piece together. This work has been performed, by the composer, on American Public Media's Pipedreams.

Voiced for AATBB, this work gives a rich, lush texture to this prominent text. The piece was written for The Compline Choir, an all-male ensemble dedicated to weekly observance of the Compline service, which is the last service of the day.