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Featured Selections

Spirit of Mercy, Truth, and Love – By Joel VanderZee

Based on a text from the London Foundling Hospital collection, Spirit of Mercy, Truth, and Love makes an ideal introit or invocation. This reflective piece is intended to be sung unaccompanied, but a soft organ or piano accompaniment doubling the voices may be used if desired.

This work is slightly more than two minutes in length and is accessible to virtually every choir.

O Come, O Come, Emmanuel – Arr. Leonard Danek

This work offers a new twist on the traditional Advent tune. The repeating eighth-note chords in the left hand provide the backdrop under the legato melody. At around two and a half minutes in length, this quiet piece works well as a short prelude. This work was performed, by the composer, on American Public Media's Pipedreams.

In the Bleak Midwinter – Arr. Leonard Danek

This piece, just over a minute in length, works well as an offertory or interlude. The composer first improvised this work as an offertory, later deciding to transcribe it. Containing some unique chord progressions, it has unconventional style but maintains a smooth feel overall.

In Dulci Jubilo – By Leonard Danek

This energetic arrangement works well as a postlude during the Christmas season. As the title says, it is short, clocking in at under a minute without repeats. It is, however, meant to be repeated ad lib, giving the organist the flexibility to stretch it to any desired length.

Thy Mercy and Thy Truth, O Lord – By Robert Powell

Based on the setting of Psalm 36 found in the 1912 Psalter, this work praises the Lord for his unfailing love. At under two minutes in length, this piece works well as an introit or song of assurance. Its straightforward harmonies and piano accompaniment make it approachable for any choir.

Preserve Me, O God – By Robert Powell

Based on Psalm 16, the text of this song is a prayer for protection and of praise. Starting in C minor and ending in the relative major of E-flat, the music reflects the text's shift from a plea for deliverance to the Psalmist's sure knowledge of God's faithfulness.

This work is written for SATB choir with organ accompaniment, and is around 2.5 minutes in length.

Evening Service in A – By Peter Pindar Stearns

This two-part work for SATB choir and organ celebrates the Lord's greatness and mercy. The text of the first movement is based on the Magnificat, or Song of Mary (Luke 1:46-55), while the second text is from the Nunc dimittis, commonly known as the Song of Simeon (Luke 2:29-32).

The difficulty level of this piece may be more appropriate for experienced choirs. The total work is around seven minutes in length. Either movement may be used independently.

Organ Hymn – By Raymond Haan

Written as a reflection on the text "For God alone my soul in silence waits (Psalm 62:1)," this work by Raymond Haan is a meditation on our reliance in God for our salvation. Starting quietly, the piece builds to a climax in the middle, then retreats to end more softly than the beginning.

The piece is approximately five minutes long; suggested uses include as a prelude or as an instrumental meditation during a worship service.

Fanfare on ST. KEVIN – By Raymond Haan

ST. KEVIN, usually paired with the Easter text Come, Ye Faithful, Raise the Strain, is a tune of jubilant celebration. Raymond Haan's adaptation for organ and optional trumpets works well as a postlude during the Easter season. It is around two minutes in length.

This work also works well as an introduction and interludes to the hymn (sung in G); use the first seventeen measures as the introduction.

Festival Prelude – By Leonard Danek

This lively prelude works well to set a celebratory mood for a worship service or recital. Its syncopations and dissonances provide plenty of energy, while a recurring motif ties the piece together. This work has been performed, by the composer, on American Public Media's Pipedreams.

Sing to the Lord of Harvest – Arr. Raymond Haan

This arrangement, for brass quartet and organ, works well as the prelude or postlude for a fall worship service. The work is arranged in three parts: verses one and three are written for brass quartet and optional organ (doubling the brass), and the second verse is written for a single trumpet with organ accompaniment.

May the Road Rise Up to Meet You – By Benjamin Kornelis

Combining a traditional Irish blessing with the biblical benediction, this work for choir and solo soprano instrument works well as a sung benediction. The work's harmonies are approachable for any choir.

While the work is scored for SATTBB, it is designed to be sung by a balanced SATB choir. A soft accompaniment (such as flute stops on an organ) can be used to bolster the lower parts if sufficient voices are not available. Suggested instruments for the solo part include a violin, flute, oboe, or recorder.

Now the Green Blade Rises – Arr. Raymond Haan

Based on the French carol Noël Nouvelet, this work by Raymond Haan is suitable for most choirs. The soprano melody is supported by rich harmonization in the other parts. Appropriate for an Easter service, the text describes Christ's burial and resurrection. It is intended to be sung unaccompanied, but a keyboard reduction is included for rehearsals and if accompaniment is desired for performance.

A Christmas Cradle Song – Arr. Jerry van der Pol

This organ-piano duet of a well-known Christmas carol creates the feeling of rocking a child to sleep. The carol is known in a variety of languages: "Sleep, My Child", "Slaap, mijn Kindjelief" (Dutch), "Dors Ma Colombe" (French), and "Schlaf, mein Kindelein"(German).

This arrangement works well during the Advent, Christmas, and Epiphany seasons.

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